![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTNq2azr1ed2kpGIVEpPCULChIuU5arG2_QgUN9RUl_JCmJQ00lfLmTDooreV1NphbtFd_LCkvjlXurUMJK-IkquyGOihISf34XSdxkjN6dcGUlh-q6iKBE7rN0UdNCcjmrviGRYVMoFAe/s400/Silent+Reb+Promo+Shot2.jpg)
Lately I have been looking at films in a different light. Literally. Colour is a very important element to telling your story in film. But now I see varying changes in colour tones from shot to shot in most films and it is the usually due to the mastery of a colourist- the person who deliberately manipulates the colour of every single shot in a particular film.
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Now we have complete control of this color grading process in the post production stage of the filmmaking process. And hollywood seems to have taken full advantage of this. I have been training my eye for digital colour remastering of shots in all the television shows and films I watch and I hardly see a recently film shot for the silver screen or for tv that has not been colour graded. The reason? Colour quickly conveys the mood you want the audience to feel within a particular story line. Simple.
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